Monday, February 18, 2019

Rebound by Andrew Grey (Spotlight, excerpt, and review) RBTLBP. ADULT title

Andrew Grey
ADULT title

Series: Standalone
Genre: M/M Contemporary Romance/ Sports Romance
Publisher: DreamSpinner Press
Release Date: Feb 13 2019
Edition/Format: 1st Edition/Format ~ eBook & Print



Professional basketball player Bri Early needs a physical therapist after an injury, and he’s heard that Obie is the best. Bri takes an immediate liking to the out-and-proud man with the magic touch, and even though Bri isn’t openly gay himself, he’d never let anything stand in the way of something he wants.

Obie can’t deny that the sexy athlete presses all his buttons, but he’s a professional and has no intention of getting involved with a client. While they’re working together, it’s hands off, no matter how great the temptation.

But being a pro athlete isn’t easy. Bri has enemies, and one of them is making his life hell. When his house is set ablaze, Bri can no longer pretend the threatening messages he’s receiving are jokes. He needs a safe place to stay, and Obie can’t turn his back. But the two of them in the same house is a recipe for combustion that could burn them both….


Just as Obie suspected, they got there only to stand in a line a block long. Worse, it hadn’t moved more than ten feet in the last half hour. At this rate, they would get in next Thursday. In desperation and because he was tired of standing there, he messaged Monty and got a quick response.

“I’m inside. I’ll send Hunter out to get you.”

“The guys are with me,” Obie said.

“I’ll warn him.” The message was followed with a happy face. And sure enough, five minutes later, Hunter, accompanied by one of the bouncers, found them and they were escorted around the rest of the line and into the club, which pulsated with energy.

“Oh my God,” David said, holding on to Obie’s arm as though he might faint. “Would you look at him.” He pointed, and Obie let his gaze follow. “Do you think he’d let me climb him like a tree?”

“No!” Obie said firmly. “Just don’t you dare.” Then he turned at the sound of a familiar voice. There was his newest client, propped up on crutches.

“Hunter,” he heard Bri say as they approached. “This isn’t my thing. I’m happy to support the AIDS Research Council, but it’s getting late. I think I’m just going to head home.”

Obie was definitely surprised to see Bri here, but then, the evening was for a good cause. He liked that Bri cared enough to help out.

He was just about to go over and say something, but his friend beat him to it.

“Hi, I’m David.” He held out his hand to Bri. “You’re Bri Early, aren’t you? I’m sure I’ve seen you on television. You do those luscious commercials for Chanel. I went out and bought some, just because of you.” He leaned closer. “Want to check it out and see?” He pressed his upturned hand forward so Bri could supposedly smell his wrist.

“Knock it off,” Obie said. “Be nice. He doesn’t want to smell you.” He definitely needed to run a little interference.

“Yeah, none of us do,” Chippy added, much to David’s visible consternation. Chippy tugged David in the direction of the bar as Monty joined Hunter, wrapping an arm around him.

“Dang, half of gay Philly is here tonight.” Monty looked up at Hunter, his partner. “I think I need to mark you, just so all the trolling queens will keep their damn distance,” he said, louder than was necessary. The circle of guys inching their way closer seemed to back away a little, but not for long. It seemed they had their sights on Bri as well.

“I know. Thanks, Hunter, for coming to our rescue,” Obie said. “I thought we’d be in that line forever.”

“Speaking of rescues, do you think you could give me a little help?” Bri glanced around, his deep brown eyes a little dazed as the vultures seemed to close in.

“No problem.” Obie walked to his left side, taking Bri’s arm. “Let’s see if we can find a table.” Obie gave the onlookers his best “He’s with me, bitches” look and guided his new client over to a table with a Reserved sign on it. Hunter slid right in with Monty, and Obie made sure Bri got settled before he took a place next to him.

“What can I get you?” a buff server asked, a black T-shirt, at least two sizes too small, straining over his chest and biceps.

“Club soda with lime,” Bri ordered.

“I’ll have the same. I need to make sure I can get my friends home in one piece.” Obie thanked the server as he was leaving.

“They seem a little feral,” Bri said, and Obie chuckled. Damn, he couldn’t help it.

“They’re good guys, believe it or not. Even if they’re a little over the top sometimes.” He turned to see David and Chippy on their way over, each with their hands full.

Book links:


Author info:

Andrew grew up in western Michigan with a father who loved to tell stories and a mother who loved to read them. Since then he has lived throughout the country and traveled throughout the world. He has a master’s degree from the University of Wisconsin-Milwaukee and works in information systems for a large corporation.

Andrew’s hobbies include collecting antiques, gardening, and leaving his dirty dishes anywhere but in the sink (particularly when writing)  He considers himself blessed with an accepting family, fantastic friends, and the world’s most supportive and loving partner. Andrew currently lives in beautiful, historic Carlisle, Pennsylvania.

Facebook Group All the Way with Andrew Grey
Twitter @andrewgreybooks


My review:

4 out of 5 stars

Rebound  by Andrew Grey features Bri Early, a successful basketball player driven to recover quickly from a knee injury, and therapist Obi Kenoble, who is torn between his responsibilities to his patient and his attraction to the man. An escalating danger forces both men to do a bit of soul searching and to decide what is most important in their lives.

This contemporary gay sports and romantic suspense story covers multiple tropes, including the conflict between a semi-closeted man and one who is very much out and proud, homophobia, ethical conflicts, and mysterious attacks. I enjoyed Bri’s prickly personality and chuckled at the name revelations even as I was impressed by Obi’s capabilities (and delicious connections). There are stories that give you chances to cheer the characters on or empathize with their trials and tribulations and this one did just that, particularly given the contrast between Bri’s and his dad’s situations. Although the mysterious attacks provided an element of suspense, some of the revelations felt a bit forced and the main characters seemed to have a bit of a role reversal at times but that did not detract from my overall enjoyment of the story. I love that both men had multiple facets to their personalities and would be interested in seeing more of them in future stories.

A copy of this title was provided for review

**** Disclosure of Material: I received a final and/or advanced reader copy of this book from RBTL Book Promotions and the Author/Publisher with the hope that I will leave my Unbiased Opinion. I was not required to leave a review, positive or otherwise, and my opinions are just that... My Opinions. I am posting this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising". *****

Photo Shoot by Jo A Hiestand (Spotlight, excerpt, review, and GIVEAWAY) GFT

Jo A. Hiestand





Michael McLaren returns home from working a cold case in Cumbria to learn that he’s missed his uncle’s wedding in Scotland.  Angry and fearful that his absence has re-opened the family rift just as it’s healed, he drives to the ancestral home, hoping his appearance and explanation will be accepted. He’s more than welcomed. His uncle asks him to investigate the murder of his first fiancee.

Fiona Lennox was found in a rowboat on a Scottish loch, shot to death during a late night photo shoot. Why would she rent a boat after dark? Did she take it out to photograph the moonlight on the water? She could’ve done, being a professional photographer, but she was also a proponent of civic and environmental causes, which she documented with her camera. Did someone linked to one of her crusades kill her, or was the motive personal?

As McLaren uncovers layers of Fiona’s life and the reason for her nocturnal outing, he and his family are targets of intensifying attacks. But it’s not until he races against a kidnapper’s deadline and the threat of a loved one’s watery death that he realizes who killed Fionaimplications that are as deep and dark as the Scottish loch.



The dog growled again, a deep throated threat of pending attack.

McLaren stepped around the dog, trying not to alarm or distract it. He hesitated, gazing at the top of the stairs again, considering which way to turn at the landing. No sound carried down to them. That wouldn’t help locate the intruder. He murmured, “I’ll see if something’s wrong, shall I? You stay here, Grandfather.”

Neill grabbed the dog’s collar, whispering “Heel” as he pulled Mungo to his side.

McLaren eased onto the bottom step, hesitated, then inched up to the landing. He paused, letting his eyes adjust to the gloom and listened. A sound of wood sliding on wood came from his left. Was someone opening a dresser drawer? He tiptoed down the hallway, keeping as close to the wall as possible. If the floor had a tendency to squeak, it would most likely be in the middle where centuries of traffic had weakened it.

He kept his left hand on the wall, balancing himself and feeling for unexpected objects like framed photos, which might fall and alert the intruder if McLaren knocked against them. But the wall was bare. Only the feel of wallpaper slid beneath his fingers.

He stopped a foot or so from the first room on his left and listened. Even though the door was closed, the faint scraping was more distinct. He crept up to the door, his right hand on the knob, his left hand near the door’s edge. He flung open the door. The sound of scraping wood, the sensation of cold air, and an image of a dark shape greeted him.


AUTHOR Bio and Links:

A month-long trip to England during her college years introduced Jo to the joys of Things British.  Since then, she has been lured back nearly a dozen times, and lived there during her professional folksinging stint.  This intimate knowledge of Britain forms the backbone of both the Peak District mysteries and the McLaren mystery series.

 Jo’s insistence for accuracy--from police methods and location layout to the general “feel” of the area--has driven her innumerable times to Derbyshire for research.  These explorations and conferences with police friends provide the detail filling the books.

In 1999 Jo returned to Webster University to major in English.  She graduated in 2001 with a BA degree and departmental honors.

Her cat, Tennyson, shares her St. Louis-area home.



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My review:

3.75 out of 5 stars

Photo Shoot by Jo A. Hiestand is part of the ‘McLaren Mysteries’ series and centers around the doughty former police detective as he becomes closer to his formerly estranged surviving relatives. His desire to help celebrate his uncle’s recent marriage is complicated by a request to investigate a cold case involving the man’s former fiancĂ©e. Using his honed investigative skills, he attempts to ferret out the truth behind her death, but the risk to him and his family may be a higher price to pay than anyone anticipated.

This mystery evokes the stark beauty of Scotland and its lochs and stalwart inhabitants. The detective-turned-stonemason is as tenacious as ever and a study in contrasts with his desire to make a connection that wars with his instinctive withdrawal from society to continue mourning his losses. I enjoy being able to armchair travel and get a glimpse of a society far different from my own and I wish I could get to know the characters in a little more depth. There are entertaining twists to the story but I think there are a few dangling threads that still need to be resolved. Despite this, I enjoy watching Michael McLaren’s investigative techniques and his patience for teasing out important details and I think that those who enjoy mysteries in an exotic setting should give this story a try.

A copy of this title was provided to me for review

Tuesday, February 12, 2019

Bella Toscana by Nanette Littlestone (VBT, guest post, excerpt, and GIVEAWAY) GFT

I have the pleasure of sharing a guest post by author Nanette Littlestone, who muses on...

How Bad Can It Get?
Nanette Littlestone

         I was forty-one when my writing muse (aka Spirit) first whispered to me and I was also single and a little desperate. Where was that knight in shining armor? When was I going to get rescued and carried off into the sunset? How long did I have to wait?

            When you don’t have romance in your life, you make do with second best. Books about romance. I devoured them, all kinds, and fantasized about that perfect man. So when I started to write, of course I wanted to write romance. It seemed simple. Boy meets girl, boy gets girl, boy loses girl over some ridiculous misunderstanding, then they make up and, in the end, boy gets girl once again.

But it wasn’t as easy as I thought. Just because I read romance didn’t mean I could write it. My story lines were too simplistic and my characters were weak, flimsy, unambitious, and unmotivated. All they cared about was eating, sleeping, and falling in love. Sadly, there’s a lot more to it than that.

Help came in the form of an online class on plotting. The teacher gave us a GMC chart (Goal, Motivation, and Conflict) and told us to fill it out. We had to define our character’s role, their default behavior, inner motivation, outer goal, inner goal, outer conflict, and inner conflict. As a bonus she added a column for “what would the character never do.” So I filled out my chart but I didn’t feel any closer to creating strong characters and/or a strong story line. When I asked for help the teacher said, “Use the character’s default behavior to create conflict.” Say what? I knew my two main characters would fall in love, but I didn’t know how to get them there or what happened after the fact.

Throughout the class I pondered the statement about using the character’s default to create conflict. I so wanted to understand but I just didn’t get it. The last day of the class another student raised the same question I had and the teacher gave the same response. But this time the lightning bolt struck and illuminated my brain. Eureka, I understood!

So who were my characters and what did they want? Toscana has a comfortable marriage with a good, kind man. But her heart longs for more. In her dreams and with Flynn she feels the possibilities of that desire grow into something tangible, something exciting, something breathtaking. But to follow her heart means taking risks, suffering consequences, possibly hurting the people she loves. How can she do that?

Suddenly conflict blossomed and spread throughout my story. The characters deepened and carried emotional flaws. Their choices created far-reaching consequences that not only had the potential to harm them but also harm others.

Since that class, GMC has become the powerhouse behind every story line. With GMC I identify not only the exterior goal and conflict (usually the villain) but also the emotional heart of the characterstheir needs and fears. The basic beliefs and patterns that we all share. We may live under different conditions, some in luxury, some in poverty, some with education, some without. But we all feel heartache and joy, longing and desire, the need to love and be loved. These universal emotions unite everyone around the planet, and it is those emotions that make for great storytelling.


Nanette Littlestone

GENRE: Women's Fiction


An explosive yearning that can’t be denied.
Disturbing visions from an ancient past.
A mysterious stranger that somehow feels familiar.

On the night of her fiftieth birthday, the comfortable ride of Toscana’s life takes an alarming plunge. Haunted by seductive visions, she tries to push aside the desire and focus on the husband who adores her. Then she falls for Flynn, a younger man with an eye for adventure and a heart full of romance, who leaves her doubting everything she’s believed about love and passion.

In Atlanta, Rome, and the lush scenery of Tuscany, Toscana searches for answers to the mysteries of her life while she faces her biggest question. If she listens to her feelings will she lose everything she holds dear, or does her heart hold the key to love and joy?



I loved him before I knew him.

Some people talk of synchronicity. The rhythm of life. I know of rhythm, in the lyricism of words, in music, in the ebb and flow of the ocean, in the monthly cycles of plants and trees. A beautiful orchestration exists in the simplest of nature. But my world operates on logic, practicality, reason. I do not believe in a grand plan. I do not believe in God.

And then he came.

Before him, I had a well-ordered life. Habit and routine carried me through the day, warmth and comfort eased me through the night. There were disappointments. Longings. Not all was perfect. But such is life. If there was no great passion, so be it. Peace is preferable to something wild that soars then fizzles and leaves you with an aching heart. I had a different kind of love—security, respect, admiration, friendship.

He showed me my lies in a slow creep of warmth that grew and teased and eventually began to burn. The thought of him burrowed deep inside me until I could think of nothing but him.

To this day I don’t think he knew what would happen. How do you know what fate has in store for you? They say man has free will to act, to choose, to create whatever he desires. But what of other people’s actions, choices, desires? What if those choices conflict with your own? We tried to resist the seemingly magnetic pull. We did our best to act rationally, to behave with honor and dignity. To be selfless. But love is not selfless.

Love is selfish. Love craves attention. Love needs to be heard, to be felt. Love is a natural disaster.

You may think this is nothing new. We all know stories of love. But this story is different. This story spans over two thousand years. This story began in ancient Rome.

So I beg you, for as long as it takes to read this story, to put aside your beliefs. Something took hold of me, pulled me along. Was it fate? Destiny? Divine intervention?

Look to your own heart for the answers.

Book Buy Links:


AUTHOR Bio and Links:

Nanette Littlestone never knew she wanted to be a writer until she was over forty. But once she began, the ideas didn’t stop. Her fascination with relationships, history, and the spiritual path has opened her writing to women's fiction, historical fiction, and inspirational nonfiction.

A native Californian, Nanette lives in Atlanta, Georgia, far from the beach (which she loves) but a place that’s warm with spectacular scenery. On the professional side, she helps entrepreneurial women write and get published with Words of Passion. On the fun side, she takes walks with her husband, cooks, plays with graphic design, and makes origami butterflies. She loves to travel, but she’s waiting for the teleportation machine to whisk her off to Greece or Asia. In the meantime, she’s happy with dark chocolate and romantic movies that make her cry.

Author links:



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Saturday, February 9, 2019

An Earl of Her Own (Spotlight, excerpt, and GIVEAWAY) RBC ADULT title

Saints and Sinners series (Book 3)
ADULT title

Heather Boyd

 About An Earl Of Her Own:
Marriage is about finding that special someone you want to annoy for the rest of your life!  

Rebecca Warner’s devotion to her family is the perfect distraction from the loneliness of widowhood. Not that she’d ever admit a need for someone special in her life after her husband’s betrayal. With the responsibility of arranging her sister’s wedding falling into her lap, Rebecca has no time for a certain maddening earl bent on seducing her—until he proves her most ardent ally.  

For Adam Croft, Earl of Rafferty, what began as an amusing pursuit—shocking Rebecca Warner—becomes something deeper when he recognizes how perfect a wife and mother she would make. Adam’s keenly aware of his loneliness…and that his habit to curb it with drink lost him Becca’s respect. He’ll happily change his ways to win her approval, but what more can he do to win her love?

Release Date: FEBRUARY 12, 2019
Length: approx. 300 pages  
Heat: steamy regency romance  
Digital ISBN: 978-1-925239-51-5  
Print ISBN: 978-1-925239-52-2  
AppleBooks ID: 1437218392



“You are hurt, worse than you want to say,” Rebecca Warner whispered.

Her soft green eyes were filled with real concern, something Adam had never expected to see on her face. “Well, that is disappointing.”

“Disappointing?” Rebecca immediately began searching through his hair for the wound, and he chose to imagine it a sensual caress until she spoke again. “You have a gash to your head that has bled. Dear God, you could have died.”

“Always looking on the bright side,” he murmured, and then noticed how close the lady was to his body. He inhaled slowly, delighted in this unexpectedly rare treat. Mrs. Warner had never been the friendliest sort. “You smell nice.”

“Really, Rafferty,” she chided. She suddenly slipped her hand inside his coat, rummaged in his pockets and began to dab at his head with the handkerchief she found there. “This is hardly the time to worry about my perfume.”

“As you say, I could have been killed. Seems like an appropriate time for noticing the little things in life that please me.” He felt pain and hissed. Eager for a distraction, he dropped his gaze to her shoulder—now bare of the shawl, which had fallen away unnoticed by the lady. The respectable garment Rebecca had worn to church, so stylish and modest, was less so now thanks to the accident. The struggle out of the carriage seemed to have ripped the seam apart, and her pale skin looked very soft and inviting. He curled his fingers into the skirt of her gown and held it. “Lovely.”

She drew back to peer into his eyes again, and then she glanced down at his fist. “What are you doing?”

What was he doing? Adam had no idea, but he wasn’t of a mind to stop.

 Book Links:


Saints and Sinners series:  

Book 1: The Duke and I (Nicolas and Gillian)
Book 2: A Gentleman’s Vow (Gideon and Jessica) 

Book 3: An Earl of Her Own (Adam and Rebecca)


About the Author:
Determined to escape the Aussie sun on a scorching camping holiday, Heather picked up a pen and notebook from a corner store and started writing her very first novel—Chills. Eight years later, she is the author of over thirty romances and publisher of several anthologies too. Addicted to all things tech (never again will Heather write a novel longhand) and fascinated by English society of the early 1800’s, Heather spends her days getting her characters in and out of trouble and into bed together (if they make it that far). She lives on the edge of beautiful Lake Macquarie, Australia with her trio of mischievous rogues (husband and two sons) along with one rescued cat whose only interest in her career is that it provides him with food on demand. You can find details of Heather's work at

Heather Boyd's Social Links:



Heather is giving away a print edition of The Duke and I and A Gentleman’s Vow during the tour.

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Friday, February 8, 2019

Lessons from the Set by Usher Morgan (VBT, guest post, excerpt, and GIVEAWAY) GFT

I have the pleasure of sharing a guest post by author Usher Morgan who shares...

ELF: What is your writing process?

I usually go for a walk, listen to music, and try to visualize a scene before coming back home, making a cup of coffee and getting to it. I try to dedicate a few hours every day  to the craft, and one I get started it’s very hard for me to stop. I think that writing, much like life itself, should be experienced in a variety of ways. I can (and try) to write outside, inside, when I’m sober, when I’m a little drunk, when I’m depressed, when I’m happy, etc. I find the process of putting words to paper relaxing, for me it’s almost meditative in nature, and I am very glad I found it.

I try to plan my days as much as I can, so I put aside time for writing in my schedule and I never break it. There should be some degree of discipline if you want to create something of value, the more I write, the more work I have to rewrite, edit and polish. This is the process I follow to write blogs, articles, short films, feature films, books and novels. I just write, and when it’s done I decide whether or not  to get it published.

 Usher Morgan


GENRE:   Filmmaking



Lessons from the Set: A DIY Guide to Your First Feature Film, From Script to Theaters is a step-by-step filmmaking guide that takes a cinephile’s “Do It Yourself” approach to low-budget indie film production and distribution. This book will offer you some valuable, practical insight into the process of making a commercial feature film on a low budget and releasing it to theaters – whether you’re starting with $1,000 or $1m.

Lessons from the Set will guide you through the process of writing, planning, directing, producing, marketing, and releasing your first feature film. You’ll learn how to overcome writing challenges and improve the quality of your screenplay, how to make $0 budget short films and perfect your craft, how to plan your film, master filmmaking tools, and set the stage for your upcoming shoot.

This book is peppered with life-saving tips, tricks, and filmmaking techniques that will save you a lot of time, money, and energy on set, in pre-production and in post. You’ll learn how to release your film to theaters, how to tackle festivals and win awards, how to handle press and get reviews, execute marketing efforts, and approach the filmmaking process with both an artistic soul and an entrepreneurial mindset. Lessons from the Set was designed to give you all the tools and resources you’ll need to complete and release your film successfully in any market and help you set the stage for a prosperous career as a full-time indie filmmaker.



The Revenue Game

Making movies for a living is something that a lot of filmmakers aspire to. Being in a position where you can make films and release them to theaters or straight to video on a consistent basis is the ultimate dream for most, but it is also a cause of frustration and anxiety to many. I believe it to be the main reason why so many good people who venture into this business quit before their time. The cost associated with making films, along with the pressure and artistic skill demanded, and the obligation to adhere to budgets and generate revenue, can prove to be a challenging feat that many people assume is beyond their capabilities. There are plenty of people who proudly wear the “broke artist” tag and look with distaste upon those who go into this business for the dollar. The one thing that many “broke artist” types fail to keep in mind is that the movie business is a business and, like any other business, your job is to produce a great product, cost efficiently, sell it to consumers, and generate enough money so you can make more products. More products mean more revenue – that is the nature of any product-based business. The only way you can sustain your business is by making movies that generate revenue, and if you lose money on every film, you won’t last long.

Now, as far as I know, there are two key ways by which you can derive your income from making and selling feature films: (a) you can make a movie and sell it to a distributor; or (b) make a movie and sell it on your own. That’s it, really. However, when most independent filmmakers think about the prospect of getting their movie made and sold, they’ll opt to go for option A. They’ll send it to major film festivals in hopes that during their circuit, the movie will hit a cord with a capable distributor who would show an interest in buying it. If the distributor is big, they may get a theatrical release, and a good deal of money could follow. They’ll be featured in the press, be courted by agents, and have an easier time getting funding for their next project – and life will be grand! And if the distributor is small, the movie will go straight to DVD/VOD/Blu-Ray, and they’ll make a little less money and maybe have to work a little harder to get their next movie lined up, and the next one – it will be the big break they’ve been waiting for.

Take any of those filmmakers and offer them the opportunity to distribute their own films and they’ll snigger, “I’m not interested in doing marketing or handling sales; the business side of moviemaking is not something that I’m really interested in. I want to focus on making movies and let other people worry about selling them.” There is nothing wrong with that approach, it is, as the name states, an approach – it’s just one way of doing things. In fact, it’s the go-to approach for a big chunk of the filmmaking population. However, what do you think will happen if you take that very same filmmaker and give them a failed festival circuit? Meaning their film got accepted into festivals, but no one bothered to buy it; no one licensed it or showed any interest in distributing it... Well, now these very same filmmakers are in “panic mode.” They’ll eventually make their way to signing a deal with an online film distribution company, and their movie will most likely die in obscurity. These online, independent film distributors are the kind that’ll put your movie up on VOD and leave it there for seven years without doing a lick of marketing or promotion. They call themselves “film distribution companies,” but in reality, they’re more like vanity book publishers. They’re “movie brokers” – meaning they take your movie, put it on iTunes, Amazon, Xbox, Google Play, and other VOD channels via an aggregator (to which you, as a filmmaker also have access), and maybe send a press release out via their website and social media channels, and that’s it. The offer you get when you sign the contract is usually $0 in advance but 30% of the net, and you feel confident in the fact that you have a distributor and that your movie will finally see the light of day.

A month later, the film comes out to VOD, and this “distributor” didn’t put a dime into P&A (Print and Advertising). They didn’t market the movie, they didn’t sell it, they didn’t build a marketing plan for it, and they don’t intend to push it, promote it or sell it. It gets very few reviews from the indie-fans who might buy it online, and after two years of selling, you still haven’t seen a dime – because the distributor had “marketing expenses” that kept you from actually seeing a profit. Believe it or not, that is the actual situation that many independent filmmakers find themselves in after spending years of their life pouring their hearts and souls into the making of their indie features. They hope and pray that it’ll get picked up during the festival circuit and are willing to give up their rights to do so because the thought of leaving the festival circuit without a deal is terrifying.

Longer excerpt

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Amazon link


AUTHOR Bio and Links:

Usher Morgan is an award-winning screenwriter, film director, producer and studio executive residing in New York City. Morgan started his career in book publishing and later became involved with film production and distribution. He produced his first documentary film The Thought Exchange starring David Friedman and Lucie Arnaz in 2012, followed by his directorial debut, the award-winning short film Prego.

Morgan’s first feature film, Pickings was released to AMC theaters on March 2nd, 2018 and made its way to VOD in August of 2018. His directing style is influenced primarily by film-noir and spaghetti westerns. The Los Angeles Times calls Usher Morgan, “a talent to watch”.




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