It is my pleasure to share a guest post by author Lou Kemp, who explains...
Which authors have influenced me and why
by
Lou Kemp
Long
ago, when I first started writing, I read voraciously exclusively in the mystery
genre. Then in horror. I loved Elizabeth Peters' Egyptian series
because it was hilarious. The point
wasn’t the plot, it was the relationship between the characters and their
world. The historical elements painted
the story with so much realism, I could feel the warm sand between my
toes. To balance that, I became a fan of
Jonathan Kellerman’s psychological thrillers, and to this day I favor him over
others because of his plots. Both
authors contributed to finding what I liked in books, which became what
I would write about.
In
horror, Nancy Holder had the subtle smooth flair that kept the story a story,
not a gore fest, and she only used blood where necessary for the plot--- not as
the plot.
Fast
forward to the 1990s. I do not know her
name, but while at the Santa Barbara Writers Conference, where we read our
stories aloud, I found something that changed my direction entirely. I do not know her name, but the author read a
story that was part real, part fantasy, but it couldn’t be proved it didn’t
happen. From then on, I wanted that in
my stories and the next year won the award there for Fantasy and Horror with my
story The Black and the Ivory. It
was in a small press at the time, and might be available. One day I’ll put all my short stories into a
volume.
Zippppppppppp. Now it is 2016, and I used all of my
fascination with fantasy and mystery to enter the story In Memory of the
Sibylline in the Mystery Writers of America’s anthology Crimes by
Moonlight, edited by Charlane Harris. It
was the first appearance of Celwyn. It
became the catalyst to explore his world and learn from him as we go. I’m working on book 6 of the series now.
I
believe in unpredictability. It makes
the story interesting and strong. I’ve
found great feedback and help from authors Anita Dickason, Benjamin X.
Wretlind, and James Backstrom. Each sees things I don’t and are not afraid to tell me about them.
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by
Lou Kemp
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GENRE: Magical realism
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Synopsis
of The Raven and the Pig Book 2
As the music dies, the magician Celwyn
is mortally wounded. His darker, immortal brother Pelaez brings
him back, barely, with his magic. The party of protagonists travel
on the Nautilus to the Cape Verde
Islands and the healer of immortals.
During the journey, Professor Kang and Bartholomew can not
tell if Pelaez will keep his brother alive. Captain Nemo is ready to
evict Pelaez forcibly, and keeping Celwyn alive
is the only thing that restrains him.
After Celwyn is saved, the healer requests payment
for his services. This sends the adventurers
to the catacombs in Capuchin where their experience is one they will
not forget. Before it is over, several of the protagonists question
why it seems everyone from warlocks and vampires to witches,
seem to be congregating in their world. Before it is over, some of them become
surprising allies, and a few of their allies turn against them.
In part II, work on the new flying machine begins
in earnest bringing attention from the Mafioso and a
cherub-like warlock called Duncan. After a final battle with
Duncan, the flying machine is destroyed and everyone at
their compound is murdered by one of their own.
~~~~~~~~~~~~~
EXCERPT
Captain Nemo had joined them, watching the undersea scene as
they passed by dozens more buildings.
The glow of the Nautilus’ lamps illuminated the ruins, then dissipated
and the inky water enveloped everything.
They slowed in front of a procession of grand marble stairs leading
upward and a mirroring set of steps led downward to an abyss below.
“The main temple,” Captain Nemo told them as an enormous
ivory building materialized out of the dark water. “I’m not sure what that is.”
Kang tried his best to see further into the water, but
failed. “I would love to use your diving
apparatus to explore this, Captain.”
From beside him, Verne licked his lips and said, “What is
all of this?”
Nemo hesitated and looked at the author as though deciding
if he should tell him.
Pelaez had joined them, without using the door or walking
across the room. He just appeared. After enjoying Bartholomew’s gasp, he had no
reservations in describing the scene.
“It has to be Atlantis. Nothing
else would be this big, or advanced.” He
leaned toward the glass. “My, my. Just as I imagined it.” He examined the landscape another
moment. “Though, I do not see a great
deal of destruction, considering.”
The Professor stared.
He didn’t see any bones from human corpses, just from animals. How odd.
Pelaez had referred to the sudden disappearance of Atlantis, one minute
a thriving metropolis of culture and wonderment, the next, gone, as if it never
existed. Where were the people?
Thousands of bubbles erupted from under the ship as they
passed over another underground steam vent, this one much larger than the
others. As the shadow of the submarine
covered the vent, Bartholomew stared into the roiling water and said, “No
destruction at all. Do you know what
happened here, Captain?”
Nemo’s glance at the author probably included a wish that
Celwyn was healthy enough to put a block on what Verne saw and heard. Pelaez might be able to do something similar,
but he couldn’t be trusted.
With a shrug, Nemo said, “There are many theories. Plato wrote a great deal about Atlantis, as
did Mikonisis.”
“Yet, this looks like neither one,” Bartholomew
speculated. “There are differences in
what we see here compared to the long-standing descriptions from Plato and
others.” He pointed to the building in
front of them. “Such as the sculptures depicted on the buildings. I wonder …. that last steam vent was
huge. As wide as this ship. I … I think we’re passing over an active
volcanic cap ….”
“Perhaps. The field
of ruins here is enormous. Doesn’t it
seem like this city just sank beneath the waves?” the Professor asked. “However, I see no volcanic ash or sludge on
the buildings. Why? The lava would have hardened when it met the
water.”
As they talked, the Nautilus had gradually ascended as the
seafloor rose, and the reflection from streaks of brighter water painted their
faces. Bartholomew pointed to the
buildings. “Is it simple? That the sea
levels rose, and covered everything?”
Pelaez had watched the last of the buildings and houses go
by with a special kind of light behind his disturbing eyes. He asked a question intended to make things
even more puzzling.
“Gentlemen, what if they built the city under water in the
first place?”
~~~~~~~~~~~~~
AUTHOR Bio and Links:
Early
work was horror and suspense, later work morphed into a combination of magical
realism, mystery and adventure painted with a horrific element as needed.
I’m
one of those writers who doesn’t plan ahead, no outlines, no clue, and I
sometimes write myself into a corner. Atmospheric music in the background
helps. Black by Pearl Jam especially.
More
information is available at LouKemp.com. I'd love to hear from you and what you
think of Celwyn, Bartholomew, and Professor Xiau Kang.
Milestones:
2009
The anthology story Sherlock’s Opera appeared in Seattle Noir, edited by Curt
Colbert, Akashic Books. Available through Amazon or Barnes and Noble online.
Booklist published a favorable review of my contribution to the anthology.
2010
My story, In Memory of the Sibylline, was accepted into the best-selling MWA
anthology Crimes by Moonlight, edited by Charlaine Harris. The immortal
magician Celwyn makes his first appearance in print.
2018
The story, The Violins Played before Junstan is published in the MWA anthology
Odd Partners, edited by Anne Perry. The Celwyn series begins.
Present
The full length prequel, The Violins Played before Junstan, to the Celwyn book
series is published on Kindle. The companion book, Farm Hall is also published
where Pelaez, another immortal magician and Celwyn's brother, makes his first
appearance. The remaining books in the series: Music Shall Untune the Sky, The
Raven and the Pig, The Pirate Danced and the Automat Died, will be available
beginning in August 2021.
Book Video
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